Filmski kotiček, 22. julij 2017 ― Slo naslov: Dunkirk Država: VB, Francija, ZDA Jezik: angleščina Leto: 2017 Dolžina: 106' ,  Imdb Žanri: akcija, drama, zgodovinski Slo recenzija: - Režija: Christopher Nolan Scenarij: Christopher Nolan Igrajo: Fionn Whitehead, Tom Glynn-Carney, Jack Lowden, Harry Styles, Aneurin Barnard, James D’Arcy and Barry Keoghan, Kenneth Branagh, Cillian Murphy, Mark Rylance, Tom Hardy [SLO] Maj 1940, druga svetovna vojna. Nacisti so zaokrožili francosko pristaniško mesto Dunkirk (Dunkerque), z letaki tamkajšnjim prebivalcem in vojakom napovedujejo njihov na videz brezupen položaj. Zaradi sovražne vojske na eni strani in morja na drugi strani, se zdi, kot da ni možnosti za preživetje. Toda v Veliki Britaniji pripravljajo drzno reševalno akcijo, v uspeh katere sprva verjame zelo malo posameznikov. Kljub temu pa se nekaj pogumnih moških poda v boj, da bi rešili svoje tovariše. Na plažah pred Dunkirkom namreč 400.000 mož čaka na njihovo pomoč. -Kolosej [ENG] Evacuation of Allied soldiers from Belgium, the British Empire, and France, who were cut off and surrounded by the German army from the beaches and harbor of Dunkirk, France, between May 26- June 04, 1940, during Battle of France in World War II.  Ocena

Filmski kotiček, 21. julij 2017 ― Slo naslov: - Država: ZDA Jezik: angleščina Leto: 2016 Dolžina: 88',  Imdb Žanri: drama, komedija Slo recenzija: - Režija: Kris Avedisian Scenarij: Kris Avedisian Igrajo: Jesse Wakeman, Kris Avedisian, Louisa Krause, Ted Arcidi [ENG] Director/writer/star Kris Avedisian expertly deconstructs the contemporary obsession with the "man-child" in this darkly funny story about former childhood best friends who reconnect decades later in their working-class Rhode Island neighborhood. Peter Latang (Jesse Wakeman) left his childhood home of Warwick, Rhode Island to reinvent himself as a slick, Wall Street mover and shaker.  When he's suddenly forced to return home to bury his grandmother, he loses his wallet on the trip and ends up at looseends.  Stranded and broke, Peter looks to the only person he can think of to help him out- his next door neighbor and former childhood friend Donald (played by Avedisian). The ever-eccentric Donald hasn't changed a bit, and what starts as a simple favor turns into along and unhinged van ride into their past.  Painfully awkward moments and increasingly bizarre – and dangerous – hijinks ensue, as the friends rediscover their stifled aggression and teenaged rebelliousness.  Avedisian’s pitch-perfect first feature is a brilliant twist on the family-reunion melodrama and the classic buddy comedy. - Official site Ocena

Filmski kotiček, 20. julij 2017 ― aka Afterimage Slo naslov: - Drugi naslovi: Afterimage Država: Poljska Jezik: poljščina Leto: 2016 Dolžina: 98' , Imdb Žanri: biografija, drama, zgodovinski Slo recenzija: - Režija: Andrzej Wajda Scenarij: Andrzej Wajda, Andrzej Mularczyk  Igrajo: Boguslaw Linda, Aleksandra Justa, Bronislawa Zamachowska, Zofia Wichlacz, Krzysztof Pieczynski  [ENG] The great Polish director Andrzej Wajda returns with this passionate biopic about avant-garde artist Wladyslaw Strzeminski (brilliantly played by Polish superstar Boguslaw Linda), who battled Stalinist orthodoxy and his own physical impairments to advance his progressive ideas about art. Andrzej Wajda's Afterimage is a late masterpiece in a career already marked by many illustrious films. The 90-year-old director's work has lost none of its force of outrage over the years, but this film carries extra resonance in light of the contemporary situation in Poland, even though the film is set in the dark days of Soviet communist rule. Based on the life of the avant-garde artist Wladyslaw Strzeminski, it blazes with energy, passion, and controlled fury as it follows the life of a man who refuses to bend to official ideology, even when it threatens his very existence. Strzeminski was a compelling and charismatic artist and teacher. Wajda picks up his story in postwar Lodz, where he teaches at the Higher School of Plastic Arts. His ideas, set out in a revolutionary book he has written about art, run headlong into Stalin's dictates on what is good for the masses: social realism and superficial positivism. This is the dynamic that feeds Afterimage's utterly compelling narrative about a highly principled individual who confronts the indifference and, soon enough, anger of the authorities determined to stamp out anyone who questions the party line. A double amputee, Strzeminski is a restless force of nature idolized by the younger generation and the students he teaches. Boguslaw Linda brilliantly bulls his way thro